The Tree Agreement Analysis

A metaphor is a comparison between two, as opposed to things that do not use “like” or “like” is also present in the text. When a poet applies this technique, he says that one thing is another, they are not simply similar. In this case, after alluding to stories from Ovid`s Metamorphoses, the speaker says that he was “a tree in the forest / And so many new things understood.” One of the most important techniques at work in “The Tree” is allusion. An allusion is an expression intended to recall something specific without saying it directly. This piece is based on allusions to specific literary and mythical references. Pound`s short poem interweaves the story of Daphne and Apollo as well as that of Baucis and Philemon. The latter is the lesser known of the two. It tells of the generosity and kindness of the couple who welcomed the gods Zeus and Hermes and then rose to their service. As a reward, they are transformed into linden and oak so that they can live together the rest of the time. In the first lines of “The Tree”, the speaker begins with a metaphor to describe his place in the world and how he interprets it. Its purpose is influenced by the stories of Ovid`s Metamorphoses, which are referred to in the introduction to this analysis. It was a “tree in the forest”. In this solid, connected position, he was able to see things that others could not see.

His perception was improved and more revealing than that of a normal person. He is able to recognize the “truth of things.” In the last three lines of “The Tree,” Pound begins with the word “Nathless,” which always means. This is an example of repetition. He repeats how sitting in the forest like a metaphorical tree allowed him to tap into a truth about nature and love. This is information that he did not have access to before. In just a few words, Pound managed to create a poignant lyrical poem. This piece is a great representative of his early works. I stood still and I was a tree in the middle of the forest, (…), the elm oak grew in the middle of the wool. In the next four lines of “The Tree”, the narrator details this last story, that of Baucis and Philemon. He describes how the gods were “kindly begged” to ask for their help.

This happened after they were “brought” into the “stove” of the couple`s house. The couple showed them kindness, showed their own love and as a reward, they did this “miracle thing”. They transferred the couple into immortal tree shapes so that they would remain intertwined forever. The story of Daphne and Apollo is less romantic and moralistic. In revenge for insulting him and being too proud, Cupid shoots Apollo with one of his love arrows, then shoots Daphne with the one who provokes hatred. Apollo pursues her, but in her hatred of him, Daphne flees. As she runs, she begs the gods to help her. They do this by turning it into a laurel so that Apollo cannot take it. Without anath, I was a tree in the middle of the forest and I understood many new things that were madness for my head before. The poem takes the reader through a series of images that refer to two stories from Ovid`s Metamorphoses. These bring a lot of context in a fairly short and simple composition. The speaker introduces himself as “a tree” and examines how his new influenced perspective on the world is shaped by these stories and the natural spaces that surround it.

There is a standard characteristic for measuring the degree of compliance in a group of evaluators r (with r > 2), and this characteristic is called Fleiss kappa, k, [32, 31] and is often used in the statistics used. [35], however, showed that Kappa had its weaknesses. As we will see below, it is very passive in nature. For this reason, we looked at other features of the evaluation agreement, such as the Cochran Q test, the test statistics of the χ2-fit test consisting of assuming an equal distribution of active notations, the average correlation coefficient and the coefficient of variation, which can be calculated from the correlation matrix that contains the correlation coefficients of the scoring results of all the evaluator pairs. However, our calculations and comparisons have convinced us that these properties do not make sense for conformity assessment. But we still used other statistics, which are explained below. The poet speaks to a tree as if he were his friend or lover: the small detail and domestic life of the speaker here may represent the biggest problem of deforestation, climate agreements and a general lack of appreciation of trees. The poem ends with a triumphant note, supported by a complete rhyme between “submerged” and “elm” at the end of the poem: “Mastering the leaves. / The tree remains. We tell him “no.” / Deep root through the association, Elm.

The concept of kappa is based on pairwise comparisons and has its roots in the one-sided analysis of variance. Fleiss kappa can be expressed in various equivalent forms that highlight different aspects of the nature of this statistical characteristic. The first form is given in equation (1). Half-rhyme, also known as oblique or partial rhyme, is seen by the repetition of assonance or consonance. This means that a vowel or consonant is reused in one or more lines of verse. There are several examples in this piece, for example “tree” and “madness” in lines ten and twelve, and “invisible” and “Daphne” in lines two and three. The next three lines refer to the stories of Apollo and Daphne, Baucis and Philemon. Pound talks about Daphne, who was turned into a laurel, and the couple who were turned into two different trees for their service to the gods. The speaker`s insight into the place involves knowing the truth of these stories and the moral lessons they are meant to teach. (1) p0, where the proportion of credit ratings observed corresponds to the expected share of credit ratings. The formula for p0 results from (2) Here eij nij / n, where nij is the number of trees to which the same score (“0” or “1”) was assigned by evaluators i and j. Eq (2) shows an aspect of kappa nature: p0 is an average that is closely related to concordance in pairwise comparisons.

For the second term pe[32] set (3), p = N1/nr and N1, the total number of characters specified in the experiment is “1”. The second form that Fleiss`kappa can take is (4), where sj is the number of markers “1” of the tree j. The term sj (r – sj) is a good choice for characterizing concordance because it uses extreme values in the cases sj = r / 2 and sj = 0 or sj = r. . . . Only when the gods (…) That they could do this miracle thing; “The Tree” is short, only twelve lines long, but within these short lines, Ezra Pound is able to use allusions and metaphors to formulate a message about the power of nature and natural images to change the perspective on the world. “The Tree” by Ezra Pound is a twelve-line poem contained in a single textual stanza.

The lines do not follow a single rhyme pattern or metric pattern, although they are quite similar in length, visually and metrically. There are also examples of perfect and half-rhyme in the text and at the ends of the line. For example, “old” and “would” are perfect rhymes at the end of lines four and five. Another important technique commonly used in poetry is stride. It occurs when a line is cut in front of its natural breaking point. The stride quickly forces a reader to the next line and the next. .

© 2022 Mahrs Schoppman, M.A., LMFT